Command’s Persuasive Percussion vs Crown’s Predominant Percussion

With the release of Persuasive Percussion in 1959 on his Command label, Enoch Light produced the first ping pong percussion LP.  It was a best seller and many imitations quickly followed which will eventually take us back to Crown Records. But first, a bit about the inventive Mr. Light who might more accurately called Mr. Sound.

PersuasivePercussoin.jpeg

The Persuasive Percussion LP on Command came about because Light was obsessed with capturing the expansive sound of modern stereo technology.  He used both channels to their fullest, recording a record that sounded as if each channel were on opposite sides of a ping pong table. Light also worked to upgrade the recording process, bragging that he was recording on sprocketed 35mm magnetic movie tape to cut down on the “wow & flutter” of unsprocketed tape. Light’s enthusiasm for the sound he was capturing was expressed in extensive liner notes and he had to invent the gate-fold LP design to contain all the writing. Enoch Light produced a series of percussive “ping pong” style LPs in a variety of genres on Command and other labels.  From the start, Light’s percussive LPs featured abstract art covers of bold graphic shapes and bright colors that still attract collectors.

You can bet any success like Light’s would produce imitators, especially from the masters of plagiarism like the Biharis. Unlike Herb Alpert, there’s no record of Enoch Light suing Jules B or any of the other budget record men who borrowed his idea. None of the labels were more bold in copying Light’s first LP than Crown with their 1960 LP Predominant Percussion, the cover featuring a pattern of dots that could easily trick the buyer into thinking he was purchasing an authentic Enoch Light LP!  Note that Crown released the LP in both mono & stereo with the mono release defeating the purpose of Light’s inventive ping pong stereo LP idea.

pp1

The Crown percussive catalogue never amounted to much more than their initial release plus this brass & percussion LP (1961) which came after Light’s similar release.

Velvet_Brass

Here’s partial list of labels that commanded Light’s Command percussion theme as their own, some of which are currently displayed above my piano. This list is taken from the LPs I’ve collected over the years for their cool abstract art covers, not for the music in the grooves. They’re all budget labels and several are owned by the same parent company.

Celebrity Records (Premier Albums Inc), Westminster (ABC-Paramount), Directional Sound  (gatefold/Premier Albums Inc), Coronet Records (Premier Albums Inc), Broadway Records, Time Records (gatefold), Kimberly (Precision Radiation Instruments Inc), Pirouette Records (Synthetic Plastics Co), Golden Tone (Precision Radiation Instruments Inc), Stardust, Tilton.

VariousPP.jpg

Advertisements

4 thoughts on “Command’s Persuasive Percussion vs Crown’s Predominant Percussion

  1. I don’t believe Time Records was a budget label; rather, they were another audiophile label trying slavishly to imitate Command. They had some fairly heavyweight names among their arrangers and conductors, including Hugo Montenegro, Jerry Fielding, Don Sebesky, and Maury Laws; and drew from the same pool of NYC session men as Command, some of whom played on Time under pseudonyms due to contracts with other labels, including Al Caiola (credited as “Mr. Guitar”) and Tony Mottola (credited as “Mr. X.”) Time also recorded avant-garde music by John Cage and others.

  2. Jeff, you are indeed correct as always. The Directional Sound LPs are also top quality, at least in their gatefold sleeves. Look for an update soon in the text. Thanks!

  3. Another great post! The Directional Sound LPs were an attempt by Premier to add a little class and charge a little more. The music is excellent, but that’s because Premier used Francis Bey cuts from the original Omega label which had folded by that time. The names on the Directional Sound LPs, like “John Evans and The Big Band,” were totally fake.
    It’s ironic, by the way, that Enoch Light was a pioneer in establishing so many innovative, high quality recording techniques. Light got his start doing sound-alike tunes for the Promenade label in Newark.

    1. Thanks for the additional info on Premier. They did a quality job with the Directional Sound LP covers which were definitely in the league of the original Command gatefolds!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s